On March 12, 2026, police in Karachi’s Korangi area seized a statue alleged to depict a satanic figure, specifically designed to represent Baal, a deity historically worshipped as a storm and fertility god in the ancient Near East. The statue, made of thermocol, was intended to be burned during a Youm al-Quds procession, drawing significant attention due to its unusual appearance and size.

The effigy had been ordered by religious scholar Allama Shabar Zaidi, who planned for it to be a focal point during the protest procession on Jumatul Wida. The statue was discovered in a shop located in Mehran Town, where the craftsman responsible for its creation was subsequently questioned by police.

Despite the police operation, no arrests were made initially, although the incident has reignited discussions surrounding the representation of Baal, a term meaning ‘lord’ or ‘master’ in Semitic languages, which has become associated with demonic imagery in later Jewish, Christian, and Islamic traditions.

This incident recalls a similar controversy involving a sculpture in Lahore in 2019, which stood at a height of 20 feet and also attracted widespread attention for its provocative nature. The police emphasized the importance of verifying information before spreading rumors on digital platforms, highlighting the sensitivity surrounding such topics.

Details remain unconfirmed regarding the exact origin of the statue and the individuals responsible for its creation and intended display. The situation continues to evolve, and further developments are anticipated as authorities investigate the matter.

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On March 12, 2026, police in Karachi’s Korangi area seized a statue alleged to depict a satanic figure, which was intended to be burned during a Youm al-Quds procession. The statue, made of thermocol, was designed to resemble a devil-like figure representing Baal, a deity historically worshipped as a storm and fertility god in the ancient Near East.

The term ‘Baal’ translates to ‘lord’ or ‘master’ in Semitic languages, and its association with demonic imagery has evolved in later Jewish, Christian, and Islamic traditions. The statue drew significant attention due to its unusual appearance and size, which recalls a similar controversy involving a sculpture in Lahore in 2019, measuring 20 feet tall.

Commissioned by religious scholar Allama Shabar Zaidi, the statue was discovered in a shop located in Mehran Town. The police reported that the effigy had been ordered specifically for destruction during a protest procession on Jumatul Wida.

During the police operation, the craftsman who created the statue was questioned, although no arrests were made. The incident has sparked discussions about the implications of such representations in the context of religious sentiments and cultural sensitivities.

The police emphasized the importance of verifying information before spreading rumors on digital platforms, highlighting the potential for misinformation in sensitive matters. As the situation develops, the exact origin of the statue and the individuals responsible for its creation and intended display remain unclear. Details remain unconfirmed.

The post Baal Statue Seized in Karachi Amid Controversy appeared first on 1News.

The recent events surrounding a thermocol statue resembling Baal in Karachi have stirred significant public concern and police intervention. Initially, the statue was commissioned for a protest during the Youm al-Quds procession, with plans to burn it as a symbolic act. This expectation, however, quickly shifted when a viral video of the statue prompted immediate police action.

On March 12, 2026, the police seized the statue after it garnered widespread attention, leading to fears of its association with demonic imagery. The statue, crafted by a sculptor who was later questioned by authorities, was found in a shop in Mehran Town, Karachi. The shopkeeper, Imran, was notably absent during the initial police operation.

Historically, Baal was worshipped as a storm and fertility god in the ancient Near East, with the term ‘Baal’ meaning ‘lord’ or ‘master’ in Semitic languages. This background adds layers to the controversy, as the statue’s creation was not intended to promote worship but rather to serve as a protest symbol.

Despite the uproar, police confirmed that there was no criminal intent behind the statue’s creation. The decision to seize the statue reflects the sensitive nature of religious symbols in contemporary Pakistan, where public sentiment can quickly escalate into significant backlash.

Experts suggest that the incident highlights the ongoing tensions surrounding religious expressions and the interpretation of cultural symbols in the region. The swift police response indicates a heightened awareness of potential unrest linked to such provocative displays.

As the situation develops, the implications for those involved remain significant. The sculptor and shopkeeper may face scrutiny, while the broader community grapples with the ramifications of the protest’s intended message versus its actual impact.

Details remain unconfirmed regarding any further actions from the authorities or the community’s response to the incident. The Baal statue controversy serves as a reminder of the delicate balance between artistic expression and public sentiment in a diverse society.

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